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Fredbear’s Family Diner, nestled in the town of New Harmony, serves as the foundational backdrop for a series of mysterious and haunting events in its storied history. This small-town pizzeria not only offers delicious pizzas but also doubles as an entertainment venue featuring performances from its resident animatronics, Fredbear and Spring Bonnie. The establishment, created by Henry Emily and William Afton in 1979, was the first of its kind in the Freddy’s franchise, setting a precedent for the blend of dining and animated entertainment.
Upon approaching Fredbear’s Family Diner, visitors are greeted by imposing red double doors adorned with large yellow handles, a welcoming yet intriguing entrance. The building’s exterior boasts a striking violet hue, accentuated by a darker stripe running horizontally along the base, creating a vibrant contrast that captures the eye. Inside, the main room is a lively festival of colors with grey-striped walls and multicolored confetti elements stretching from the purple ceiling to the blue-tinted floor. The scene is set for celebration with clusters of balloons tied to wooden tables and a grand wooden stage illuminated by four overhead spotlights that shift colors, enhancing the theatrical ambience of the space.
Fredbear’s Family Diner is steeped in a dark legacy, marked notably by the “Bite of ’83,” an incident that cast a long shadow over the diner’s whimsical setting. This event involved Michael Afton and led to severe injury to a child, caused by the animatronic Fredbear, an event that haunted the community and the franchise’s narrative. In the years following, the diner saw the introduction of Plush Fredbears and underwent structural connections to an underground complex, further embedding its place in local legend. One tragic night in 1983, Charlotte Emily’s death at the hands of William Afton outside the diner sealed its fate as a place of sorrow and spectral presences, culminating in Henry Emily’s final act in 2023 to entrap the spirits haunting the animatronics, tying the end of the diner’s story to a plan conceived in its very walls.